He discussed said sequel when it came out. While the film disappointed at the American box office, its success overseas (especially in China) was more than enough to rescue it and produce talk of a sequel. Later, in the Intermission editorial "Summer School - Part I", he argued that the film's overall box office performance shows how American audiences are no longer the be-all, end-all decider of success or failure in Hollywood. not- Gundam" or "dumb Evangelion" and Del Toro's work played a huge role in elevating it above that basic premise. Without it, it's basically just "not-Godzilla vs. That said, in his review of its sequel Uprising, he admitted that most of his adoration for the film had to do with the style and atmosphere that Del Toro injected into the film. In the Big Picture episode "Summer's End", he listed it as one of his top ten movies of summer 2013, and at the end of 2013 he named it his favorite film of the year. It has deep, well-rounded characters whose interactions actually drive the plot rather than feel like drama for the sake of it, the giant monster-versus-robot battles are absolutely mind-blowing and feel more real than any number of 'gritty and realistic' action movies, and even the stuff that shouldn't work still works in the context of this film's homage to classic anime and sci-fi. It was, in his opinion, the best Summer Blockbuster since Independence Day, a film that he compares this to in terms of it being an amped-up version of a classic B-Movie genre (in this case, Japanese kaiju movies and mecha anime), without the bloat, pretension, and exposition that infests so many other big summer tentpoles. When it came time to review it, he said it was awesome and that it lived up to every expectation he put on it and then some. The week it came out, he devoted an entire Big Picture episode, "The New Originals", to telling people to see the film sight unseen not just because it looked good, but so that they could send a message to Hollywood that they want more than just sequels, remakes, and adaptations for their big-budget blockbusters.
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He hoped it would be a hit so that it would break Hollywood's dependence on sequels and licensed properties, as well as give Del Toro the break that he had long deserved.
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“So those are the two choices we have.”Īrdern said she wanted to acknowledge the big impact that the coronavirus has been having on young people, from education to mental health.Īmong other points made in the Youth Declaration that was handed to Ardern by delegate Jess Jenkins was that tech companies should be held accountable for protecting data and privacy, and that marginalized people should be prioritized.Ĭopyright 2021 The Associated Press. “If the world is not ready to take bold action, then the world must be ready for the disastrous results of climate change,” Ardern said. One of the youth delegates asked Ardern how countries could be held accountable if they didn't take action on climate change.
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She said young people should never underestimate the influence they can wield. “And it opened my eyes to completely new cultures and experiences."
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“I never knew as a young person living in a town of just 5,000 people in rural New Zealand that such a conference existed,” Ardern told them.